Life Out Of Balance April 30, 2009Posted by chris drake in culture, cyborgs, humanity, technology.
Tags: binaries, cyborgs, human existence, nature, neo-luddism, Reproduction, society, sound, systems, technology, video
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Koyaanisqatsi- A recommended film-
Koyaanisqatsi opens with scenes of the American southwest, many of them filmed from the air and displaying the sheer hugeness of the area: deep chasms, enormous rocks on vast plains, all with little human presence. Shots of Niagara Falls and other troubled waters and an increasingly ominous tone to the music set the viewer on edge, as one begins to see signs of human presence: machines, pipelines, power lines take a place in the landscape. Nuclear explosions produce mushroom clouds over the desert.
People are eventually seen, sunbathing on a beach in the shadow of an enormous factory. The natural world soon disappears altogether, replaced long shots of packed highways. Sped up, they look like rivers of erratic light. The music becomes dominated by heavy steady beats.
Just as they seem about to explode in a frenzy, the images and the music stop, replaced by slow-motion footage of people who seem displaced, the music also grows much slower and simpler. After the previous section, this feels like a hangover. The movie ends with an astonishing, unbroken tracking shot of a rocket that explodes in mid-air shortly after liftoff. For several long minutes, the camera follows a piece of burning wreckage so steadily that it appears not to be falling at all, merely spinning in space.
Koyaanisqatsi asks the viewers to ponder their relationship to a social system that has come to dominate them rather than serve them. Much of the film is exhilarating and beautiful in a way that may seem counterproductive to that end. But the cumulative effect is more meditative than frightening. The film is not traditional in any sense. It takes the viewer on a wild flight from the tranquil (seemingly lifeless) western deserts of the United States, through the great planes of the nation’s heartland and mid-west, our forests and on to America’s largest cities. The pace accelerates as the music and images drive individualism from the minds’ eye. Modern technological life becomes impersonal and mechanical, and humans become robotic. Our everyday lives seem meaningless as we produce, consume, and maintain ever -increasing amounts of need. Technology feeds on itself and like the rocket shooting into space, as we speed to the top we our bound for destruction. Koyaanisqatsi is the Native American term for ‘Life Out of Balance’
Tekkonkinkreet March 5, 2009Posted by ml7142 in cyborgs.
Tags: binaries, cyborgs, Tekkonkinkreet
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After viewing the fiml “Tekkonkinkreet”, I started to assimilate the concepts within this film to the theoretical concept of a cyborg. The two boys “black” and “white” are essentially lost boys that roam around as the soul of the city. They seemed to be defined by the events of the city and become unbalanced when the city is at unrest. The boys are also total and complete opposites of one another yet when they are together they are unstoppable. To me this was similar to the idea of a cyborg because cyborgs are made up of parts that often times are as well total and complete opposites of the other. As a culmination of human and technology a cyborg does not reach its full potential for success unless it is a proper balance of artificial and human thought. This is somewhat ironic however because in the film the two boys seemed to often times become lost in a city that displayed very poignant categories within the groups of people existing in the town. They seem to transgress boundaries regardless of their balance with one another much like a cyborg does. I felt as thought this movie was much about boundaries. Existing in a world of corruption and turmoil while a world of vibrant color surrounded them. They were young children surviving in an old world with mature situations. They also exsisted in a world of surreal fantasy and harsh reality. The two boys black and white were left to dwell in these binaries much like cyborgs are forced to.
Blake vs. Cyborgs February 17, 2009Posted by ml7142 in poetry, technology, writing.
Tags: binaries, cyborgs, songs of innocence and of experience, William Blake
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When discussing the two contrasting works o Blake, the Lamb and the Tyger, I started to question his reasoning in writing two songs that could share so much meaning yet be so blatently apart. The binaries of a lamb and the tyger are symbolistic of good and evil yet blake is obvious in noting as well as questioning how the lamb and the tyger are created from the same. From reading these two songs, I started to realize how the exact thing that Blake questions in these songs are represented in a cyborg or cybernetic organism. A cyborg is a combination of binaries that come together for its creation. Whether these may be human/machine, good/evil etc, the toery of being created by “man” is all the same. In Blake’s song’s the innocent lamb and the aggressive tyger theoretically share a creator. The case can then be made the same for human and cyborg. Technically speaking the human and the cyborg, regardless of how endless their differences can be, share the same creator; a “man”. Since the other topic about these opposing poems talked about was the prophecy and experience piece, I also found a correlation to a cyborg within this idea. A cyborg or cybernetic organism is built upon hte idea of a functioning human. The human being though it has various different stories for how it is created, has a religious connotation for being created as a prophetic organism meant to live and prosper. The cyborg then is much like the tyger in that often times it is an aggressive afterthought that is created or understood as something that is the afterthought of the lamb. This thought process kind of made me question my original point although I hope you can try and understand what it is exactly that I am trying to say.